Space and time collapse, overlap and fold into each other in a variety of overwhelming and visually abundant molecular expressions, and time is represented as a rupture that reveals residual, eternal or otherworldly matter.
Michaels’ use of magnitude and scale relates to his fascination with the spatial model and scale of the cosmos. His cosmos maps are a manifestation of this. A plethora of modern cult images such as gremlins, computers, or Michael Jordan, clutter the canvas. The images float freely on a galactical planes and each artefact shares similarities and differences with its neighbour.